The Sun Temple-a magnificent structure designed as the chariot of the Sun God, drawn by seven exquisitely carved horses-is the venue of the annual festival of classical dance and music, the Konark Dance Festival. The festival is held in the month of February every year in the amphitheatre at Konark with the famous Sun Temple as the backdrop.
Music and dance always formed an inherent part of every Indian festival and socio-religious ceremony. Great temples and shrines had their traditional schools of dance and drama, which suffered a decline during the Buddhist, Islamic and British eras.
A host of celebrated classical dancers perform and fill the air with the sound of ghungroo bells, flute and the pakhavaj. Some of the best dancers in the country come to perform amidst the splendor of this ancient temple. It is performed with special illuminations and set-up to transform the Sun Temple, a monument of religious significance, into a temple of art and the atmosphere into one of fantasy.A marvelous crafts Mela, with a variety of handicrafts and delectable cuisine from various states, adds to the festive mood of this weeklong celebration of Indian classical dance.
Many eminent contemporary artists participate in the Konark Dance Festival and enthrall audiences with their performances. At this festival, the connoisseur is able to enjoy and appreciate different Indian classical dance forms at a single venue. The festival has been graced by legendary figures from the world of Indian classical dance like Kelucharan Mahapatra, late Sanjukta Panigrahi, Sonal Mansingh, Padma Subramanium, Meenakshi Sheshadri, Swapna Sundari, Kum Kum Mohanty and Basanti Shreedar.
To add variety, the festival also provides an element of folk rhythm. Interspersed between classical recitals are dance performances by numerous folk troupes from Orissa, Goa, Gujarat, Bihar, Assam and Rajasthan, who enthrall the audience with their traditional steps, instruments and beats.
Though dance dominates the Konark festival, the event is a complete cultural encounter, wherein the traditional arts and craft of Orissa are on display. As part of the festival, there is a crafts mela where artists can be seen working delicate patterns on intricate filigree items, painting on palm leaves and working designs on appliqué work. The festival provides a unique opportunity to the uninitiated to watch and interact with various craftsmen at one place.
As if this is not enough, there are gourmet stalls that dish out a variety of delicious Indian cuisine. All this adds to the charm of the week in which the senses are captivated as much by the hypnotic performances as by the beauty of the backdrop and the variety of the arts, crafts and cuisine.
The highest spiritual ecstasy is often reached by those fortunate enough to be submerged in the mesmerizing audio-visual spectacle of the festival. At Konark, the backdrop of that superb floodlit Sun Chariot dominates this best of dance festivals. Having evolved from classic and folk traditions, Odissi or the dance that has its origin in the state of Orissa, has great fluidity and charm and also borrows from the sensuous erotic overtones of the Konark sculptures. Innovative Saraikella and Mayurbhanj Chau dance dramas along with the Kuchipudi, Bharat Natyam, Manipuri, and Kathak performances, with their different costumes, themes, and musical accompaniments provide a glimpse into the array of the Indian classical dance forms every evening during the festival.
The beats of the mridangam and mandala, the tinkle of the manjira, the haunting notes of the flute, and the lilting rhythms of the ghungroos combine to transcend one into a different world altogether. The experience is magical and scintillating.
The beauty and harmony of different schools of classical dance, each epitomizing sublime devotion and perfect synchronization through centuries of total commitment to the art form, elevate the artistes as well as the audience to the level of spiritual ecstasy.
The floodlit Konark Temple, constructed in AD 1225 by King Narasimha Dev of the Ganga dynasty, provides an ideal backdrop to the festival, reviving a scenario of regal splendour and flourishing art forms. Shaped like a chariot pulled by seven horses, the temple is dedicated to the Sun God. According to a myth, the Sun God is believed to have sought a beautiful sea-maiden named Chandrabhaga. After chasing her up to this place, she is said to have disappeared into the sea. A river by the same name, Chandrabhaga, is supposed to have existed just 3 km away from the temple where, as another legend goes, Shamba, the son of Lord Krishna prayed to the Sun God for 12 years to be cured of leprosy. Though now only a small lake exists at the site, the Chandrabhaga mela (festival) is held every year in memory of Shamba’s successful penance.
In recent years, various dance festivals have been organized and staged every winter at places like Konark, Khajuraho, and Mahabalipuram, offering a combination of culture and entertainment to an international audience who get a chance to enjoy the traditional dance forms while exploring these architectural marvels.